Chapman Stick player Brett Bottomley now opening for Holding Pattern at the Acton Jazz Cafe on October 12th.

•October 7, 2008 • Leave a Comment

NewEARS is pleased to announce that Chapman Stick player Brett Bottomley will be opening up for Holding Pattern at this weekend’s show at the Acton Jazz Café.  Brett is a world class Chapman Stick player and bassist from Connecticut who will be doing a solo performance.

 

A gifted composer and player, Brett displays incredible sophistication on the Stick, playing both “bass and guitar” parts simultaneously. Before playing the Stick, Brett was a much-sought after electric and upright bassist with numerous groups, including the award-winning jazz quartet, Collectively Speaking.

 

Brett recently released his first solo CD called “Journeys” using the Chapman Stick and Bag End gear for which he is an endorser.  A blend of ’70s ECM and traditional influences, this album unleashes the Stick’s full potential.  As world renowned Chapman Stick player Greg Howard commented, “While this bass-plus-guitar approach isn’t new to the Stick, it’s the added dimension of Brett’s more pianistic side, echoing Bill Evans and Keith Jarrett, that takes the instrument one big step deeper into the music.”

 

Come support Brett and Holding Pattern for this very special show.  A limited amount of tickets are still available.  Please order your tickets through Paypal on www.newears.org  or contact us at newears@verizon.net .

 

Thanks for your support and hope to see you for a great night of progressive music only 5 days away.

 

Fred T.

NewEAR – New England’s Ear on Progressive Rock

 

Holding Pattern News & Special Show Offer

•September 12, 2008 • 2 Comments

“Progressive Hall of Fame” inductee Tony Spada has signed an artist endorsement deal with guitar string/guitar manufacturers Ernie Ball/Music Man of California.  He will be added to the company’s impressive roster of some of the best guitarists in the business such as Eric Clapton and Jimmy Page promoting their world-class guitar strings and accessories.

 

Come see Tony Spada and his band Holding Pattern next month on October 12th at the Acton Jazz Café for a night of progressive music for NewEARS.  In order to further promote this special show, NewEARS is offering a copy of Holding Pattern’s latest CD “Breaking The Silence” with all ticket sales.

 

If you haven’t yet heard “Breaking The Silence”, here’s your chance to get this powerful release and see the band live.  Having just played to an enthusiastic reception at North Carolina’s Prog Day Festival,  Holding Pattern promises to be one of the best live progressive music performances coming to the area this year.  Many local fans from Connecticut are coming up to Massachusetts for this unique stop on the tour and we need more NewEARS people to sell-out this event.

 

Please order your tickets through Paypal or the PO Box as soon as possible.  NewEARS is looking to bring additional shows to the Acton Jazz Café and we need another strong showing in order to become a regular event at this great venue.

 

Let me know if you like the idea of bundling new CD releases with upcoming shows as a way of promoting new progressive music to the Boston area as only NewEARS has brought to you in the past.

 

Hoping to hear from all of you soon,

Fred T.

NewEARS presents Holding Pattern at the Acton Jazz Cafe on Columbus Day weekend.

•August 15, 2008 • Leave a Comment

NewEARS is pleased to announce the return of Holding Pattern to the Boston area at the Acton Jazz Café on October 12th in support of their 2007 reunion album “Breaking the Silence”.  Please join us for a night of instrumental progressive rock guitar virtuosity when “Progressive Hall of Fame” inductee Tony Spada blows you away with his propulsive riffs and fiery guitar solos.  Joined by ace session man Rob “The Drummer” Gottfried on drums, and the multi-talented Tony Castellano on bass/keyboards,  Holding Pattern promises a night of dynamic and bombastic progrock.

“This is a refreshing instrumental amalgam of sounds that at times evokes Happy The Man, The Dregs, and Genesis – often within the same song!” (The Laser’s Edge)

“Superb 2007 release by Connecticut’s Holding Pattern.  Musically this is even superior their excellent debut! “Breaking the Silence” is a very symphonic and satisfying instrumental prog album that really delivers the goods. The guitar work of Tony Spada is the highlight but the entire band is quite amazing. But mostly this is a mature and highly original work by seasoned musicians at the height of their creative powers – and Tony’s guitar work on both acoustic & electric is second to none. If you enjoy instrumental progressive rock with beautiful melodies & inventive solos then this is certainly for you!“ (ZNR)

Tickets are $25.00 and seating is limited.  Guaranty your seats to this very unique performance by sending check or money order made out to NewEARS to:

NewEARS,  PO BOX 1434,  Littleton, MA 01460-4434

HOLDING PATTERN was formed in 1981 and quickly gained notoriety as being one of the most important progressive rock bands hailing from the U.S. Through the release of their debut album, videos, radio air play and performances with Steve Morse, Kansas, Rick Wakeman and Steve Howe to name a few. HOLDING PATTERN’S debut album was released in 1981 and the band quickly built a loyal following of prog rock fans from around the globe.

HOLDING PATTERN’S “ BREAKING THE SILENCE “ released worldwide on Surveillance Records January 2008 is the new reunion album featuring original band members cranking out virtuosic performances throughout just about every facet of progressive rock’s finest qualities.

The album also features a live bonus track from their performance at Tokyo’s Poseidon Festival 2005 and cover art by GENESIS album artist Paul Whitehead.

Holding Pattern’s “Breaking the Silence” tour 2008 will begin on August 30th at Progday Festival (www.progday.com)  in Chapel Hill, N.C . followed by dates in Holland ,Belgium, Boston, Toronto, Italy, Portugal and Lithuania.

NewEARS & Progression to host Fish Boston pre-gig Meet & Greet

•May 30, 2008 • Leave a Comment

NewEARS and Progression Magazine are happy to help Fish with his pre-gig Meet & Greet at the Common Ground in Allston on June 25th from 6-8 PM before the show at the Paradise Rock Club.

The Common Ground Bar & Grill is located at 85 Harvard Ave which is around 12 blocks from the Paradise.

Come down and hang with us before the show.  Grab a beer and stock-up on some Fish merchandise that will be available at discounted prices.  We are looking forward to seeing many of you before what promisses to be a great night of soul-bearing prog from the fantastic new album 13th Star as well as I’m sure a few Marillion classics.

Here’s the latest bio information:  ‘13TH STAR’ is the critically acclaimed new studio album from rock legend and former Marillion frontman, Fish (aka Derek W Dick) and will be released to retail outlets on February 12th 2008 on the Chocolate Frog Record Company and through Voiceprint and PHD distribution.  A single, ‘THE ARC OF THE CURVE’, is scheduled for release on March 3rd as a CD single and is also available as a download package containing three live tracks from a recent show in Rome.

Fish, always a maverick artist and consummate performer, has achieved a high level of success during his 27 years in the music business and the fact that he is capable of creating an album seen as the best in his career to date is testament to his enduring talent, resilience and determination.  With four stunningly successful albums with Marillion and eight studio albums in his own right, the title of his new project may, perhaps, seem obvious.  But, as you would expect from an enigma such as Fish, there is more to the story than just a numerical accident.

Fish explains:  “In November 2006 I had just completed the ‘RETURN TO CHILDHOOD’ tour where I had been performing the ‘MISPLACED CHILDHOOD’ album for it’s 20th anniversary.  I was also performing a solo set supporting ‘BOUILLABAISSE’ a ‘best of’ CD compilation.  I had recorded and released a double CD and DVD from those shows and knew that I had to turn my attention to producing a new studio album.  I was well aware that it was the thirteenth album (a number I consider lucky) but having recently broken up with a long term girlfriend, I was also involved in a lot of introspection and reflection about relationships.

“I worked out that there had been twelve females who and a profound effect on my life including my mother, my daughter, my ex-wife, Kayleigh (my first teenage crush and hugely successful single) etc.  The girl I had just broken up with had been the twelfth and, based on this, the lyrical concept started to take shape. 

“Earlier in the year, during a trip to Egypt, I visited the Valley of the Kings and had noticed thousands of hand painted stars on the ceilings of the tombs which denoted Heaven.  The image stayed in my mind and, as stars are associated with navigation and travel, so the ‘13TH STAR’ was born.  The album is about a journey through life and relationships in search of the one true, ultimate love represented by the Thirteenth Star”

Main co-writer on the album is Steve Vantsis (ex-RIVER CITY PEOPLE, HORSE) who has been Fish’s bass player for over ten years.  It was the first time the pair had worked together in a writing capacity and Steve’s influences (NINE INCH NAILS and PORCUPINE TREE) were brought to the studio together with his modern approach and strong technical expertise. The studio in Haddington, East Lothian, which also doubles as a home where Fish lives together with his seventeen year-old daughter, Tara, became a hubbub of activity as it was transformed into a working environment.  Calum Malcolm had been nominated as producer and the principal recording was due to begin in late May.

“The writing sessions went according to plan and the entire process of making the album was a far more disciplined affair than previous albums.  Calum had remastered and mixed albums for me before but until the live acoustic project (‘COMMUNION” released in 2007 on Chocolate Frog Records) he had never actually recorded and fully produced an album.  I’d loved his work with BLUE NILE and his ear for arrangements and felt he could really pull “13TH STAR” together sonically.  Steve had done a tremendous job engineering the writing sessions and a lot of the material we used in the final recording sessions.

Foss Paterson (keyboards – ex JOHN MARTYN) and long-term guitarist Frank Usher (ex JOHN MARTYN) helped co-write a couple of songs and by May we were on schedule and ready to record.  Along with putting a new band together, organising rehearsals, the recording of the album and routing a gruelling tour I was also a father with a teenage daughter.  Those days were very stressful.”

The stress was compounded, however, when Fish’s girlfriend (and by now fiancee) decided that sharing him with fans and band commitments wasn’t really all it was cracked up to be.  She walked out during the recording sessions leaving Fish devastated.

“It was very traumatic and tough time and I had to focus all my energy and emotions on the album.”

The emotion captured on ‘13TH STAR’ is apparent but despite the setbacks and heartache, Fish has delivered what many consider to be the finest moments of his career.  This is a contemporary sounding and relevant album which combines his unique lyrical sense with a determination to wear his heart firmly on his sleeve.  An enormous achievement, given the circumstances.

“It was a very traumatic and tough time but Calum was incredibly supportive and extracted some of the best vocal performances I have ever delivered.  There were some very emotional sessions but I was inspired by the recordings that he had captured.  The band was on top form and everyone raised their game.  Gavin Griffiths (drums) and Chris Johnson (guitars) stepped into the studio for the first time with me and were as excited as we all were by what was created.”

Fish was one of the innovators of releasing material through his web site www.the-company.com where he communicates with fans on a regular basis through extensive blogs and his very own ‘Fish TV’ which is available as a streaming service showing in-depth interviews and both library and current footage from gigs.

“The web site is probably the most important asset I have in my career.  Since I left Polydor back in 1993 I have come to rely on the close communication with fans.  Being able to finance album projects through direct sales and providing access to back catalogue and merchandise has kept me alive.  I had to adapt to survive in the 90’s as the music business was changing.  Selling official bootlegs, advance ordering and exclusive mail order only issues are now commonplace but back then there were few pioneers of this independent method of approach.  It’s now a tried and tested model that’s in use by a large number of bands.  It’s the next stage in the evolution of the music industry and one that the major labels have been slow to embrace – to their cost.”

Fish himself is also evolving as an artist.  His acting career which has seen him in roles on TV and in major Hollywood movies may have been put on hold in the last year but is part of future plans which involve writing a novel inspired by his recent solo trip to Vietnam.  He will also be returning later this year for another stint as a DJ on digital station ‘PLANET ROCK’.

The Return of The Flower Kings

•May 1, 2008 • 2 Comments

BostonProg.com is happy to announce the return of The Flower Kings to The Regent Theater in Arlington on August 27th.

For more than a decade Sweden’s now legendary progressive rock giants,The Flower Kings have dominated the new worldwide prog-revival releasing 11 studio albums in 12 years. Originally drawing from obvious influences such as The Beatles,Yes, Pink Floyd, Frank Zappa & Genesis, The Flower Kings have evolved into a seasoned and mature band who’s sound is now as recognizable as that of their mentors. A sound that has come to be adored by fans and press alike.

The Flower Kings will play a short USA tour in August 2008 in support of their latest critically acclaimed CD “The Sum of No Evil”
The band will play most of the new album and most certainly some older fan favourites plus the odd jam that is now an integral part of The Flower Kings live experience.
Part one of the tour, supporting this latest album “The Sum Of No Evil”, saw the band tour most of Europe last November with guest Pat Mastelotto behind the drumkit.
Pat, an American, that once had big USA and worldwide hits with Mr Mister and later on played on many pop albums including XTC, and The Rembrants has now since the early 90’s been mostly known for his pioneering work with heavy beats and drum electronica, most significantly in King Crimson.
All members of The Flower Kings have a long history in different bands and recordings, most significant are perhaps Roine Stolt’s contributions in “Transatlantic” alongside Dream Theater’s Mike Portnoy and Marillion’s Pete Trewavas, a progrock “sideproject” that took flight in early 2000 and quickly gained “supergroup” status among progressive rock fans and press .
The new incarnation of Flowerkings include :
Tomas Bodin; keyboards
Roine Stolt: guitars & vocals
Jonas Reingold: bass & vocals
Erik Hammarström: drums
Ola Heden: vocal & keyboard,guitar
Hasse Fröberg: vocals,guitar
Any lover of melodic rock, experimental rock, progressive or symphonic will enjoy this band that seems to have found the secret formula of bringing every aspect of soulful and uplifting entertainment alive onstage and on record.
Once you’ve become friends with the music of The Flower Kings there is no turning back.

Our good friends from the NJ Proghouse take over NEARfest

•March 18, 2008 • 1 Comment

(Reprinted from the NEARfest web site)

Passing the Torch

NEARfest is happy to announce Jim Robinson, Ray Loboda and Kevin
Feeley as the successors to the management of the festival. In
January, co-founders Chad Hutchinson and Rob LaDuca made public their
plans to retire from the festival after 10 great years at the helm.
Following the 2008 event, Jim, Ray and Kevin will take over as the new
guard. NEARfest will carry on with the same diversity that has made
it so successful over the past decade. With the changeover will also
come new ideas to help move NEARfest forward into its next phase.

Jim Robinson grew up playing various musical instruments, including
trumpet, french horn and bass – even taking lessons from Dave LaRue
(Steve Morse Band, Dixie Dregs) at one point. Jim founded the New
Jersey Proghouse in 1999 (then called the Central New Jersey Music
Showcase) after being inspired by his attendance at the very first
NEARfest that same year. Since then, Jim has teamed up with Ray and
Kevin among others, to develop the NJ Proghouse into a successful
concert series. Since 1999, Jim as been the “official” head-cracker
at NEARfest, but in recent years has assumed an important role in
transportation. Jim’s relationships with both domestical bands and
labels, as well as running the NJ Proghouse and being a member of the
ProgDay band commitee for three years, has given him a vast amount of
experience on which he can build on with his new role with NEARfest.

Ray Loboda grew up in the ’70s listening to progressive rock music and
emulating his heroes in cover bands. Ray has been a NEARfest-goer
since 1999 and never looked back. He met his good friend and cohort
Jim Robinson at the NEARfest ticket day luncheon in 2000 and the two
formed a strong bond in their common loves for prog rock, prog metal
and especially Kansas. Ray and his wife Noreen supported the NJ
Proghouse for a few years before becoming members of what Ray
eventually donned the “Staph.” Ray has forged many important
friendships over the years with the likes of The Flower Kings,
Riverside, Knight Area and echolyn, not to mention many record
executives and band managers. Ray was also a member of the NEARfest
transportation crew and the ProgDay band committee with Jim. Ray’s
business sense and PR skills will serve him well as he steps into the
NEARfest management fold.

Kevin Feeley is instantly recognized by his snowy white hair and
beard. Kevin has been the production manager for NEARfest since 2004
and can be seen pacing the stage with his headset often during the
weekend. Kevin’s professional background as both an audio engineer
and a production manager allow him to run the stage at NEARfest as a
well-oiled machine. In the past, Kevin has worked live concert and
corporate events such as Grammy-winning artists like Steel Pulse and
Spyro Gyra, the JVC Jazz Festival in Europe with Roberta Flack, the
Bush/Quayle Inaugural and the first Clinton/Gore Inaugural. On a fan
level, Kevin has been supporting progressive music since the early 70s
by attending such shows as ELP’s “Brain Salad Surgery Tour” and Yes’
“Close to the Edge” tour. Kevin is a member of the NJ Proghouse
Staph, providing audio and production services and equipment. Kevin
also met his long-time girlfriend Suzan Picard at the smolderingly hot
NEARfest 2000 preshow while watching Echolyn perform. In his four
years with NEARfest, Kevin has brought may great ideas to the show
helping it to become the smooth operation that it today. He also
found us our great video technician Matthew Walker. Kevin’s knowlege
of the inner workings of the technical side of the festival make him
an easy choice to help carry on the flame. And speaking of flames, he
also makes fantastic hot wings.

Congratulations to Jim, Ray and Kevin. Along with Rob and Chad, I’m
sure the progressive rock faithful with you the best and will show you
support in your new roles with NEARfest.

Early 2008 Prog Changes

•January 17, 2008 • 1 Comment

It has been a tough early couple of weeks for the Northeast prog scene, but hopefully, as is often the case, the music will carry on.

 

As most of you have heard by now, after 10 years running NEARFest, co-founders Chad Hutchinson and Rob LaDuca will be retiring from the festival.  Their announcement says that arrangements are being made to transfer the festival and its “crucial diverse band selection” to a new organization.  Let’s hope for a successful transfer and continuation of what has become of the world’s premier prog showcases.

 

RoSfest announced this week that headliner The Flower Kings will not be able to make it this May due to their drummer situation.  This is unfortunate as NewEARS was hoping to be able to schedule another local Flower Kings performance based around their appearance at RoSfest.  We are all hopeful that we may see The Flower Kings again later on in the year around their scheduled November European tour with special guest drummer Pat Mastelotto who is best known in the prog community for his work with King Crimson.

 

Closer to home, a very promising new venue for a 2008 NewEARS Art Rock Series, the Acton Jazz Café, has just announced a “temporary” closing due to financial hardship.  We just had our first gig with them at the end of 2007 with the NewEARS Eve Tony Levin/IZZ show which was a sell-out and was expected to lead to more shows in the new year.  We wish the AJC a speedy recovery and hope that this great venue does not disappear forever.

 

Finally, after 7 years as our webmaster and designer, NewEARS’ own Keith Reedy has also announced that he will be retiring from his samaritan position.  Keith has spent countless hours supporting NewEARS over the years with not only the web site, but graphic design for flyers and link supports and all we could ever repay him with was a couple of tickets to a show.  We want to publicly thank Keith once again for all he has done for us.

 

That does leave an open position for a new NewEARS webmaster and graphic designer.  If anybody is interested, please get in touch with us either through the site, yahoo or the PO Box 1434, Littleton MA 01460-4434.

 

Somehow, Prog Will Carry On in 2008.

 

Fred T.

2007 A Great Year for Prog

•December 31, 2007 • 1 Comment

What a fantastic end to 2007 local prog fans had at last night’s sold out show by Tony Levin and IZZ at the Acton Jazz Café.  All performances were outstanding and a certain prog magic was created when both parties teamed up on some classic Gabriel tracks.  I hope to read some reviews of the gig on the site soon.

 

2007 end’s another year of great shows brought to you by NewEARS.  Earlier in the year, we had The Watch from Italy recreating that classic Genesis sound, but with all original compositions of their own.  After The Fall, which is one of New England’s best progressive bands, put on a strong performance featuring many tracks from their critically acclaimed album “kNOwleDGE”.  IZZ also made their first appearance for us in support of their new album “My River Flows”.

 

And for those of you lucky enough to make it to the Murali Coryell Blues Show, you were treated to a very special opening performance by the young, but very talented Mindwalk.  These kids (16 and under) can really play well and might just become Boston’s next great band.  I can’t wait to hear their debut CD next year.

 

2007 was also a great year for progressive music CD releases.  Actually, I can’t think of another year in recent memory that had such strong releases.  A new generation of prog artists have really come into their own and now release music that’s as good if not better than what many consider classic progressive rock.  If you haven’t heard these incredible CD releases from 2007 (in no particular order), then you’re missing out on some of the best prog music ever produced:

 

Dream Theater – Systematic Chaos: a continued legacy of progressive metal at it’s best.

 

Fish – 13th Star: a return to the man bearing his soul for the world, his strongest solo release since Sunsets on Empire.

 

The Flower Kings – The Sum of No Evil: doing their own brand of symphonic progressive rock like no other.

 

Marillion – Somewhere Else: another great offering from a band that never stays in a rut, constantly creating a new progressive sound.

 

Neal Morse – Sola Scriptura: the new king of epic progressive songs, each of his releases are simply outstanding.

 

Porcupine Tree – Fear of a Blank Planet: Steve Wilson continues creating a unique progressive crossover sound that is prog / metal / psychedelic / industrial / grunge / emo…simply great.

 

Hoping 2008 brings us as much great music as this year.

NewEARS Levin/IZZ show SOLD OUT

•December 13, 2007 • 1 Comment

A great thanks to all of you that bought your tickets early and SOLD OUT our first show at the Acton Jazz Cafe.   It’s always a great feeling for the bands (not to mention us at NewEARS) to know ahead of time that there’s going to be a great full capacity crowd to enjoy the evening’s entertainment.  Knowing so early how special the night is going to be has already made us start thinking about ways to make it even more special.

There are rumors of a potential “live” recording to be made that night as well as a joint collaboration between Tony and IZZ.  Regardless of what the final music mix will be, we know that we’re going to be in for a great night of progressive music.

We are looking forward to seeing all of you at the Acton Jazz Cafe on Sunday December 30th (the day before New Years Eve in case some of you got confused by our NewEARS Eve announcement).  Come early for dinner if you can.  The food at the AJC is delicious and we want to make a good first impression of patronage in order to have more shows there in the future.

Thanks again for all your support.  This is going to be a great way to end 2007.  We’re already looking forward to bringing you more in 2008.

A Message From Tony

•December 6, 2007 • 1 Comment

A great thanks to all of you who have ordered your tickets for the upcoming NewEARS Eve (12/30)  Tony Levin / IZZ gig at the Acton Jazz Cafe.  Over 1/2 of the tickets are sold so please order yours early if you plan on attending.  We do expect a sold out show.  Here’s a message from Tony who’s out on the road.

“Hi all. I’m looking forward to approaching New Years with NewEARS. I have such strong connections to New England, to Prog music, and to the folks at NewEARS, this event was too tempting for me to miss. Rather than a solo ’show’, I’m thinking it’ll be an informal musical/personal appearance, with me talking a little about upcoming plans for King Crimson and Liquid Tension Experiment and more. I’ll have my Stick, will play some bits from my new CD, and I am sure you’ll have some questions! And if I can sit in with IZZ a bit, that’d be great too.

I was hoping to have December free to prepare some music, but now work is taking me to S. Africa and Moscow in Nov/Dec. The good news is that after 10 days of Russian December, New England will seem warm!

See you there.”